Review highlights artistic implications and historical context of watercolor series in the Solovetsky Archipelago.
The journal features excerpts from a review of the graduate qualification work by S. S. Arustamova-Andriaka, which presents a series of watercolor landscapes titled “Images of the Solovetsky Archipelago”. The reviewer places particular emphasis on the historical context in which the series – consisting of three landscapes depicting views of the Spaso-Preobrazhensky Monastery, Bolshoy Zayatsky Island, and Anzer Island – was created. Additionally, the review explores the symbolic and artistic implications of this triptych.
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Natalia Tretyakova (2025) studied this question.
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