Teaching documentary film highlights critical observation and analysis in academic research, suggesting new approaches for students.
Drawing on over ten years of experience teaching in the MFA Program in Documentary Media at Toronto Metropolitan University, I will try to address the complex reality of doing research-creation within the academy for the emerging documentary filmmakers in the program. The main premise of this paper is that documentary film and research-creation are very similar because, as a rule, research is at the heart of every documentary project: the essence of a documentary project is that it begins in critical observation and analysis and ends in story. Like academic research every documentary (student) project usually begins as an idea, a hypothesis, or a series of questions: its beginnings are in research, and the critical thinking therein. But this is not a given, or the same, for every student.
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Gerda Cammaer (2025) studied this question.
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