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This article examines the interplay of fetishism and nostalgia in The Blind Owl, revealing its satirical critique of cultural histories.
This article explores the interplay between the individual and the collective in The Blind Owl and illustrates how a distinctive historical perspective emerges from its complex allegorical form. A close reading of the novel reveals how the text superimposes biographical and cultural pasts through the juxtaposition of sexual fetishism and nostalgia, presenting both as symptoms of a fraught relationship with one’s infantile and cultural histories. The article reads The Blind Owl as a satirical critique of a figure whose conflicting desires to commemorate and forget the past drive a series of fetishistic behaviors, culminating in failure. Ultimately, the novel offers a cynical reflection on the nationalist nostalgia cultivated by traditionalist intelligentsia within the peripheral modernity of early twentieth-century Iran.
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Ali Rahmani Ghanavizbaf (2025) studied this question.
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