T. S. Eliot and Henry James, both born in the United States, relocated to Europe in response to the perceived limitations of American culture. Despite differences in era and genres, they share a common engagement with the aesthetic discourse of modernism and exhibit a form of literary affiliation. James pioneered the stream of consciousness technique, applying it in The Portrait of a Lady to explore interiority and self-awareness. This narrative method influenced James Joyce, whose Ulysses employs mythic structure to parallel the protagonist’s ordinary day with Homer’s Odyssey, thereby framing modern existence within a universal paradigm. Eliot praised Joyce’s technique as more than experimental, viewing it as a progressive method that made the modern world possible for art. He also inherited James’s psychological and moral concerns, adapting them into poetic form. Together, James, Eliot, and Joyce played a crucial role in shaping early twentieth-century modernist literature through mutual influence and literary affiliation
Y. Tony Yang (Thu,) studied this question.