Analysis highlights dissident thinking within Brazil's theatrical events, suggesting critical approaches in a repressive ideological climate.
This is an attempt to situate artistic, particularly theatrical creation, within the specific ideological environment of recent years in Brazil, in which the so-called “progressive front,” under threat, seems increasingly impervious to critical and self-critical thinking. The article seeks to merge analyses of several significant theatrical events from recent years to propose a perspective on dissident thinking in a period of reflux such as the one we are experiencing.
No takes yet. Share an insight, caveat, or question.
Alexandre Sobreira Martins (2025) studied this question.
Synapse has enriched 5 closely related papers on similar clinical questions. Consider them for comparative context: