This analysis explores Jung Jae Il's score in Parasite, revealing insights on satire and counterpoint in music.
Despite their significance, Bong Joon Ho's soundtracks have been investigated by few music-and-sound researchers. Drawing upon Sergei Eisenstein and Roland Barthes, this article proposes an interdisciplinary methodology and therewith examines a seven-minute sequence from Parasite. It sheds a new light particularly on Jung Jae Il's score through the lenses of ecological satire, counterpoint, and third meaning.
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G Lee (2025) studied this question.
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