This article explores the loss of indigenous performance practices and cultural richness in Palestine, suggesting a more inclusive approach to performance study.
Focusing on the Sufi festival (mawsim) of Nabi Rubin, which used to take place near Jaffa in Palestine, this article explores the indigenous performance traditions that were an important part of Palestinian cultural life prior to the mass displacement of Palestinians by Zionist forces in the Nakba of 1948. Using the extinct festival of Nabi Rubin as a specific example, the article sheds light on a significant and neglected part of Palestinian theatre and performance history: indigenous Palestinian performance practices which have been omitted from the literature on Palestinian theatre. Thus the article advocates for a more inclusive approach to the study of performance that gives value to indigenous performance practices, which form a fundamental part of Palestine’s rich cultural history. It also examines the sociocultural changes that accompanied the Arab Nahda (‘renaissance’) and the manner in which it influenced cultural life in Jaffa and the festival of Nabi Rubin.
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Dia Barghouti (2025) studied this question.
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