Computational model evaluates acoustics of the Mexico City Metropolitan Cathedral, suggesting insights into Christmas and worship music performance.
In the present work, the 3-D model and the impulse-response data of the Mexico City Metropolitan Cathedral (Boren et al., 2016) help us develop and calibrate an acoustical computational model of the worship space. The aim of the work is to model the acoustics of the Cathedral, as it would have sounded in the early days of its finished construction in the 19th century and in the present in order to investigate the repertoire of the Christmas ceremony and mass and the musical organs performance to analyze and auralizate their musical soundscape.
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Turner et al. (2025) studied this question.
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