This analysis reveals how Hughes' animal totems reflect tensions between consciousness and machine intelligence, suggesting insights into contemporary AI discourse.
This paper examines Ted Hughes’ shamanic poetics through the lens of artificial intelligence, arguing that his animal totems (Crow, Pike, The Jaguar) anticipate contemporary tensions between organic consciousness and machine intelligence. By analyzing Hughes’ ritualistic verse structures alongside AI text generators’ ‘hallucinations,’ the study reveals how both systems employ fractured mythologies to navigate liminal states of being. The paper bridges Hughes’ ecological uncanny with posthumanist theory (Haraway, Hayles) and cognitive science (Hoffman’s interface theory), proposing his work as a vital hermeneutic for understanding AI’s mythopoeic impulses.
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Shanavas et al. (2025) studied this question.
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