PulseExploreJournal ClubDebatesTrendingResearchersJournals
Instagram
HomeExploreJournal ClubTrending
Synapse
⌘+K
Synapse
September 10, 2025Arthuriana0 citations

The Prose Lancelot’s Galehot, Malory’s Lavain, and the Queering of Late Medieval Literature

View Full Paper
GMGretchen Mieszkowski

Key Points

  • Galehot and Lavain present positive representations of male love, challenging medieval homophobia.
  • The portrayal of Galehot serves as one of the greatest homoerotic depictions in medieval literature.
  • Late Medieval literature shows anomalous characters like Galehot, illuminating a broader spectrum of relationships.
  • These characterizations expand the discourse on sexuality and love in a historical context often resistant to such themes.

Abstract

Abstract: This article adds two Arthurian characterizations to Queer Criticisms emerging analysis of homoeroticism in late medieval literature: Galehot, from the 13th-century Prose Lancelot , and Malory’s Lavain, from the story of Elaine le Blanke, the Fair Maid of Astolat. Both are altogether anomalous figures for the virulently homophobic late Middle Ages: positively represented men who love other men; and Galehot is one of the great homoerotic portraits of medieval literature.

Ask AI
Helpful
Bookmark
Share
View Full Paper

Cite This Study

Gretchen Mieszkowski (1995) studied this question.

synapsesocial.com/papers/68c1e30854b1d3bfb6100b88https://doi.org/10.1353/art.1995.a966538
Ask AI
Helpful
Bookmark
Share
View Full Paper