The article describes the development of the art of Arabic calligraphy husn-i hatt in Crimea and its use in written sources. It also describes the history of the development of calligraphic handwriting that arose on the basis of the first Arabic script Kufic. Examples of the main seven Arabic scripts heft kalem used in the Turkic languages are presented. Examples of additional handwritings that were not included in the main ones and are a feature of the Crimean written tradition are revealed. Calligraphic handwritings used in Crimean epigraphic and written monuments in various historical periods are presented and analyzed. Particular attention is paid to the description of calligraphic handwriting on epigraphic monuments: tombstones, durbes and mosques. Handwriting of written sources of various styles is presented and described: literary works, business documents, journalistic articles, personal letters, etc. The study established that Crimean epigraphic monuments were characterized by the use of the thuluth handwriting, in works of art Naskh was more often used, in the khan’s business correspondence Diwani was used, and legal acts were recorded in the Ruqah handwriting. During the last period of use of Arabic script in Crimea, the light and understandable Naskh was used in printing, and daily correspondence was carried out in Ruqah handwriting.
Lenura Ablyamitovna Koroglu (Mon,) studied this question.