This analysis uncovers how satire on the occult highlights societal views in the Russian fin de siècle, suggesting a complex interplay between art and social critique.
Key Points
The satirical representations of the occult in Russian fin de siècle art reveal societal attitudes toward spirituality and mental health.
Oskolki, a satirical journal, played a pivotal role in shaping public perceptions of the occult through parody, influencing artistic practices.
These comical critiques defined the social categories of 'normal' and 'abnormal', highlighting the connection between art and social critique.
The blending of Decadence and Symbolism in these representations reflects the tension between artistic expression and societal expectations.