This article analyzes symmetry through periodicity and cyclic recurrence in musical compositions, indicating their expressive significance.
The article is dedicated to the manifestations of symmetry in a musical composition, such as periodicity and cyclicity. The author also considers the partial manifestations of those principles, their expressive and compositional meaning, as well as their roots in various musical paradigms of different eras.
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Konstantin Zenkin (2025) studied this question.
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