This analysis examines the concept of taxonomography in Waters's work, highlighting its implications in contemporary metafiction.
Although, in some ways, Sarah Waters's Affinity looks akin to historiographic metafiction, M.-L. Kohlke has persuasively argued that the text is more accurately dubbed "new(meta)realism", a mode that demonstrates the exhausted potential of the form.
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Martin Paul Eve (2013) studied this question.
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