This article focuses on Bruno Latour’s writing. Through a series of examples, it shows how he has always sought to match the form of his works to their content, in a quest for coherence uncommon in the social sciences. Beyond the diversity of his works, we can nevertheless identify one dominant feature: a very explicit concern for the reader, and the use of a variety of techniques to engage him or her in an experience that is as sensible as it is intellectual.
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Madeleine Akrich (2024) studied this question.
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