On the 30th anniversary of China’s internet, this article is written in response to students’ concerns about the tangibility of public spheres in authoritarian contexts. Using texture as a conceptual linchpin, I propose to shift focus from spatiality to temporality of China’s digital green public cultures to foreground the lived experiences of ordinary people in a time of precarity. I start with empirical observations on recent contributions to Chinese online green public culture: kepu (科普 popularizing science) vloggers, coal miners as content creators, and local communities’ actions and everyday conversations. I then elaborate on texture as materiality over time in dialogues with previous studies. The article hopes to provoke more studies on the complex of publics/public spheres other than their spatial forms.
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Junyi Lv (2024) studied this question.
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