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As a significant literary tool and narrative technique, ambiguity is regarded as one of the most common and striking components of postmodern writing. The obscurity in its definition, context and usage leads researchers and literary critics to take interest in this concept and authors to refer to it frequently as well. In this sense, Raymond Federman’s To Whom It May Concern is one of the novels in which ambiguity, as a narrative technique, emerges overtly. This study tries to define and explain the context of ambiguity which is among the major narrative elements of postmodern literature. Likewise, how it appears in the novel and for what purposes authors apply it will be handled. Moreover, how ambiguity is included in the main elements of novel such as the character, theme, time-space, point of view and plot, what apparent and embedded purposes the author has by applying to narrative ambiguity and its connection with the Holocaust will be scrutinised. On the other hand, whether this ambiguity in narrative is a genuine ambiguity or just a narrative clarity intentionally used by the author to steer the readers toward an intended objective will also be discussed.
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Şahin KIZILTAŞ (2024) studied this question.
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