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The Libian of Chinese calligraphy is the result of social development and has important research value in the development process of Chinese calligraphy. Among them, aesthetics and practicality are the fundamental reasons for the Libian of Chinese calligraphy. Therefore, the simplification of character structure and the simplicity of writing methods constitute the core content of the Libian process of Chinese calligraphy. The Libian of Chinese calligraphy has led to the gradual elimination of the pictographic meaning of ancient script lines in Chinese calligraphy fonts. The body features have changed from vertical to horizontal, and the lines have evolved from circular to straight and square folds, forming symbolic strokes and giving rise to modern characters with independent meanings. This article aims to elaborate on the basic process of the Libian of Chinese calligraphy, combined with its contemporary morphological characteristics and conceptual changes, to discuss the internal connection between the calligraphy form of Libian and the development of artistic concepts, and provide more research guidance and suggestions for the inheritance and evolution of Chinese calligraphy.
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Zhang et al. (2024) studied this question.
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