Situating a poetry performance as a form of autoperformance, I analyze the first National Youth Poet Laureate of the United States, Amanda Gorman's 2021 Presidential inaugural poem, The Hill We Climb, to discuss the poet's subjectivity as a young Black woman who invites her audience to be active agents for social change and pursuers of positive peace. I position Gorman's poem as a narrative, containing life-giving ideologies including Afrocentricity, Black Feminist Thought/Black Feminist Rhetoric, and Coalition Building, capable of calling her audience into being the protagonists to bring about a liberatory future that recognizes their individual agency as Americans.
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Akie Fukushige Wenk (2024) studied this question.
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