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The British Museum currently houses an Etruscan mirror portraying a depiction of two women engaged in an embrace and sharing a kiss. Despite previous endeavors to elucidate the symbolic gesture, the profound implications behind the embrace remain shrouded in ambiguity. This article argues that the mirror, while adorned with a veneer of mythology, conceals a narrative that holds pivotal significance in a woman’s life, specifically, the moment of a bride bidding farewell to her mother. Under this interpretive framework, the gesture takes on the role of a salutation, a conjecture fortified by parallels drawn from analogous scenes in different artistic mediums.
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Giulietta Guerini (2024) studied this question.
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