The work of Hadewijch, a thirteenth-century Beguine, explores the reflective potential of intimate affective experiences by making deliberate use of literary and religious intertexts. The writings of women mystics like Hadewijch present an understudied current in the genealogy of life-writing, yet they resonate strongly with contemporary autotheoretical practices that combine theory and art with autobiography. At the same time, the fact that Hadewijch is not a contemporary author can offer a critical perspective on the genre of autotheory itself.
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Kris Pint (2024) studied this question.
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