This essay is a reflection on the presencing of the transcendent in Filipino cinema. It looks at certain films whose styles are able to hint at the trace of the transcendent in the mundane and finite existence of Filipinos. It takes on a philosophical perspective to reflect on these films. This is a preprint of a chapter in the book The Stories We Tell When We Tell Stories About Ourselves by Agustin Martin G. Rodriguez.
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Agustin Martin G. Rodriguez (2024) studied this question.
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