This article is a discussion of Dominika Niedźwiedź’s monograph entitled Jak Tadeusz Żeleński stworzył Boya. Strategie, autokreacje, wizerunki [How Tadeusz Żeleński created Boy. Strategies, autocreations, portraits], which analyses the pioneering literary marketing strategies applied by Tadeusz Żeleński (Boy) in Poland (such as building his own intellectual brand, creating and promoting texts as products tailored to the expectations of the audience, the commercialisation of talent and cooperation with other market players, e.g. the press, publishing houses and literary groups).
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Agata Zawiszewska (2024) studied this question.
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