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Purpose of the Article: Analysis of the emergence of productive improvisational self-esteem through the experience of Maskharabaz-Kizikchi in Uzbekistan in training traditional theater actors, focusing on stage transformation issues.Research Methods: The research employs observation, comparison, experimentation, and the historical periodization method.Research Results: The study has identified the primary stages in the development of a creative personality within the performing arts, including the requirements for an improvisational actor and techniques for fostering creative self-esteem.Practical Application: The article emphasizes that the spontaneity of stage presence results from the integration of psychophysical actions that guide actors toward transformation.It highlights the importance of consciously mastering imaginary realities during practical classes to foster the interaction between conscious and subconscious creativity.
Marina Rimovna Yusupova (Tue,) studied this question.
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