The article discusses in detail the concept of "psychologism", which has not yet been fully studied in Kazakh literature. Psychologism is closely related to literature, because since the main object of a work of art is a person, it is obvious that human activity and psychology are also reflected in the work. Consequently, psychologism is the connecting link between literature and psychology. The article reveals the concept of psychologizm, its types, characteristic artistic and stylistic features, scienttifically systematized and analyzed on the basis of the works of scientists contributing to Razakh literary criticism. Based on the research works of Bakytzhan Maitanov "Kazakh novels and psychological analysis", "The spiritual world of Kaharman", Gulziya Prali "Problems of psychologism in fiction", aspects of psychologism in Kazakh prose are differentiated. Excerpts from the works of Mukhtar Auezov, Zhusupbek Aimautov, Magzhan Zhumabayev, Sherkhan Murtaza, Tolen Abdikov, Askar Altai are given, the ways of manifestation and transmission of psychology in a work of art are systematized. At the same time, using examples from specific works, the means of representing psychologism in a literary work are demonstrated, namely, the function of internal monologue and dialogue in revealing the charachter and mental state of the character. The proctssts of formation and development of literary psychologism are highlighted, its festhetic expression in a work of art is determined. The main features characteristic of psyhologichal prost are considered, and the issue of psyhological style in depictions of the hero's personality is also explored. The unique place of the dream motif, which takes its origins from folklore samples, in literary prose and the innovation of tradition is highlited. The issues of the flow of consciousness, psychological analysis, and split personality in a work of art are considered.
Abdikadyrova et al. (2024) studied this question.