Svetlana Alexievich, a Belarusian writer and political activist, spent most of her life in the Soviet Union and present-day Belarus, with prolonged periods of exile in the US and Germany. Opposing war and totalitarianism, Alexievich wrote about Soviet and post-Soviet individuals who suffered WWII, the Soviet-Afghan War, and the Chernobyl disaster in 1986.As a writer, she developed a prominent literary genre, “documentary literature,” which offers artistic renderings of real events. Cultivating this new form of literature, Alexievich recorded the recollections of real people and published polyphonic works presenting choruses of voices describing specific historical events. Engaging the voices of people, whose stories have no written records in official documents and are unknown to international societies, Alexievich sought to promote human rights and enable global readers to see the disastrous effects of war and totalitarianism reinforced from Stalin’s time. Recognizing that Alexievich’s polyphonic writings have advantages in advancing human rights, this study tries to solve questions regarding the issue of voice and representation. Why did Alexievich valorize voices exclusively rather than incorporate visual materials, such as photos, into her documentary narratives? How are the voices displayed in her testimonial writings, and what sources influenced her representation of these voices? Illuminating these questions, my presentation articulates the singular qualities of her polyphonic narratives, and unfolds multilayered implications surrounding her composition of the type of novels.
Joori Lee (2024) studied this question.