In the face of the ongoing globalization process and the continuous evolution of social values, the concept of music aesthetics is undergoing profound changes.This article aims to explore the influence of multicultural dialogue and cross-border innovation on music aesthetics, revealing how different musical elements achieve fusion and collision in the context of multicultural integration.It also discusses the challenges and reconfiguration effects that this dynamic process brings to existing standards of music aesthetics.
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Zishu Chen (2024) studied this question.
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