Monumental and decorative artworks within the underground system constitute an integral component of its public domain. They serve not only as means of embellishing the underground space but also as signifi cant channels for the inheritance of urban culture and the demonstration of the city’s image. The development of Chinese monumental and decorative artworks within the underground surged at the outset of this century. However, the price of such rapid advancement was the sacrifi ce of artistry and uniqueness, precipitating a crisis of characteristic features in underground stations. Therefore, this article synthesises the design methodologies of Chinese monumental and decorative artworks within the underground based on an analysis of successful exemplars.
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Yuxi Wang (2024) studied this question.
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