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This article explores how digital art exhibitions and bioecology interact in the contemporary Singaporean cultural milieu. Applying theoretical tools from recent work in environmental and oceanic media studies, I argue that mediations of digital art exhibitions in the postcolony reveal postcolonial approaches to bioecology. Digital art exhibitions can provide a frame to understand humans and bioecology as relationally – that is to say, ecologically – embedded with each other, confusing boundaries between the material and immaterial, universal and particular.
Hui Wong (Tue,) studied this question.