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Over the last fifteen years, a new literary trend has emerged based on the zombified rewriting of great classics of universal literature as a consequence of the success of the publication of Pride and Prejudice and Zombie (Grahame-Smith); this trend includes several texts from the Hispanic literary tradition. In this paper we analyze this postmodern phenomenon through the comparative study of three zombie adaptations and their original Spanish classics. Our objective is to deepen our understanding of the (re)writing mechanisms used by the authors of these adaptations: LaZarillo. Matar zombis nunca fue pan comido (2010) by González Pérez de Tormes, Quijote Z (2010) by G., and La casa de Bernarda Alba zombi (2009) by García Lorca.
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Cristina Ruiz Urbón (2024) studied this question.
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