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The article research about Japanese restaurant interior space in Vietnam as an intercultural symbol. Based onthe material of previous works and fieldwork in Ho Chi Minh City, the article identifies Japanese restaurant’sinterior space as a cross-cultural complex when considering that this space is created by combining andharmoniously using patterns from external culture to psychology and locally available material. In anotherword, the interior space of Japanese restaurant in Vietnam is considered as a pluralistic symbol, which is theresults of the integration and cultural exchange process. Through that symbol, an atmosphere with uniquefeelings impacts diners’ psychology and offers an impressive culinary experience.
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Bui Ngoc Trinh (2024) studied this question.
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