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This paper explores the experiential reality surrounding the Divine Liturgy, a Byzantine rite in Orthodox Christianity that has remained central to Eastern practice globally since Late Antiquity. The article draws on multi-sited ethnography in the glocal context of the Orthodox Church of Finland (OCF), a national church of minority and a site of multicultural interaction. Our analysis shows participants articulate their experiences with the Liturgy in an epistemology of interiority by which (1) they constantly, if unevenly, and agentically engage with the Liturgy in a form of individual, vernacular artistry. This interiority is (2) both sensorial and interpretative, and (3) ambivalently grounded in motifs of being "at home" and, at the same time, "on a journey." That is, participants from different backgrounds make a connection to the Liturgy both as a spiritual and a literal home, relating to different elements—Finnish, Karelian, Byzantine, and Church Slavonic—in its ritualistic aesthetics. At the same time, Liturgy emerges as a perpetual journey of new openings and glimpses, informed by past experiences and life trajectories, and participants relate to these two aspects simultaneously.
Tiaynen-Qadir et al. (Thu,) studied this question.