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In today’s exhibition field, the dynamism of the narrative approach as a mainstream trend has permeated various aspects such as visual design, exhibit display, and media communication. On one hand, this is due to the development of digital media technology providing practical operational pathways; on the other hand, it is also a result of the information explosion brought about by the maturity of digital media technology, forcing exhibitions, as an important form of public cultural service, to stimulate public interest to the fullest extent in competition with other cultural products. In such a coincidental yet inevitable combination, how to effectively utilize a dynamic narrative approach within the exhibition field to provide the public with a sense of unfamiliarity in dimensions, boundaries, and situations, thereby constructing a unique perspective that enables people to perceive alienation relationships and ultimately resist the control of the technological landscape on humanity, becomes the key issue determining whether the integration between the two can be beneficial.
Siqi Chi (Wed,) studied this question.