To be a contemporary music performer today is to have a deeply fragmented practice. The performer's role is no longer simply a matter of mastering her instrument and executing a score. Music practices are incorporating new instruments and technologies, methods of creating works, audience interaction and situations of interdependence between performer subjects. The performer finds herself unable to keep a sense of mastery over the performance. In other words, performance is increasingly precarious.
No takes yet. Share an insight, caveat, or question.
Sivertsen et al. (2024) studied this question.
Synapse has enriched 5 closely related papers on similar clinical questions. Consider them for comparative context: