The poetry of Mary Oliver is used here as an example of how, for many people who have not encountered religious language or been part of a faith community, poems can have what might be termed a ‘religious resonance’. The poet’s art of attention is identified as a primary tool for replacing the traditional role that religion has played in human communities and consciousness – exploring the sense of life as a gift from a transcendent source, infusing intuitions of meaning into experience and confronting us with ethical demands.
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Mark Oakley (2024) studied this question.
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