Litany of ghosts

On the one hand, therefore, the acceleration of time is based on the manipulation of images in postproduction. On the other hand, the slow shooting of the film focuses on a meticulous description of reality. Perpetual Person mainly exploits filming. But the way of filming is questionable. Often close to the woman's body, the filmmaker does not interact directly with her, his interlocutor never stares at the lens. In the last scenes, the filmmaker moves to the other side of the camera as if to introduce himself to the audience, showing himself next to his grandmother, caressing her, listening to her with compassion.