Contrary to the idea that interculturality is based exclusively on intersubjective interaction, the article examines the role of non-human actors in intercultural transfer processes.Through a comparative reading of Fernand Braudelʼs La Méditerranée and Anna L. Tsingʼs The Mushroom at the End of the World, it shows how people, spaces and things can be analysed in their intercultural interconnectedness and how the focus on spatial and material agency allows intercultural processes to be displayed and reflected in their ambivalence, their success and failure.
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Reto Rössler (2024) studied this question.
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