This paper presents Vaulted Harmonies, a 66-min animated feature film created as part of the scientific outreach effort of the Past Has Ears at Notre-Dame project (ANR-PHEND). The project investigates the historical acoustics of Notre-Dame de Paris and their influence on music over the centuries. The film is structured around eleven musical pieces spanning the 12th to 20th centuries, each chosen for its relevance to the cathedral’s history and musical heritage. Details include how each piece was recorded and auralised using a calibrated geometric acoustic model that reflects the acoustics of the corresponding historical period. Further details describe the creation of the CGI renderings of Notre-Dame, which feature animated musicians synchronised with the music they perform, enhancing the immersive quality of the experience. These musical performances are interwoven with short documentary-style segments that provide historical and musicological context. The film adopts a first-person perspective in which the acoustics and visuals dynamically follow the camera’s movement, offering a virtual reality-like experience in a cinematic format. Vaulted Harmonies thus functions both as an engaging archaeoacoustic outreach project and as a standalone virtual concert rooted in historically informed performance and production.
Poirier-Quinot et al. (2025) studied this question.