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This analysis examines orality in the works of Claudia Rodríguez, revealing her role in the Latin American travesti movement.
Claudia Rodríguez (Chile, 1968), writer, performer, and activist, is a key figure in the Latin American travesti movement. This paper examines her literary production, which emerged in the second decade of the 21st century through the self-publishing of her works in fanzine format: "Dramas pobres. Poesía travesti" [Poor Dramas. Transvestite Poetry] (2013); "Cuerpos para odiar. Poesía travesti" [Bodies to Hate. Transvestite Poetry] (2014a); "Manifiesto horrorista" [Horrorist Manifesto] (2014b); "Enferma del alma" [Sick at Heart] (2015); and "Para no morir tan sola. Escritura en pandemia" [So as not to Die so Alone. Writing in a Pandemic ] (2022). Our focus will be on the hybrid and mestizo nature of her texts – not linear but fragmentary – and her incorporation of orality.
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Ángeles Mateo del Pino (2025) studied this question.
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