Sounding Cosmopolitan Modernity: Magic-City, la Parisienne , and the Tango, 1911–1914

This article concerns a ‘craze’ for the tango that dominated Paris from 1911 to 1914. The dance floor of the amusement park Magic-City was one of the most elite venues in the city, and a significant site of the transformations to tango culture that took place. The Parisian tango, as exemplified by music composed by Magic-City affiliates René André and Camille de Rhynal, fit into specifically French notions of cosmopolitanism and aligned the dance with the idealized urban woman, referred to in advertisements, fiction, and the press as la Parisienne . At venues such as Magic-City, the tango was shaped into a form that suited middle- and upper-class French urban life and is reflective of ‘cosmopolitan modernity’, a concept borrowed from cultural theorist Mica Nava.