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Essay explores writing authority in 'Cortés valeroso' and 'Mexicana', suggesting new narrative approaches.
This essay examines Gabriel Lasso de la Vega's epic project on the conquest of Mexico, which had two versions: Primera parte de Cortés valeroso y Mexicana , published in 1588, which the author rewrote and published in 1594 under the title Mexicana . The study focuses on the first-person narrator's interventions to analyze how Lasso de la Vega presents the exhaustion he feels in sticking to a narrative of events close to historical discourse and how, through a respectful yet ambitious imitation, he offers a different response from Alonso de Ercilla to introduce variety and fiction. Through the narrative twist introduced in the 1588 poem, which clears the path leading to Mexicana , Lasso accommodates the latest theoretical approaches and poetic models, adopting a strategy that provides a heroic idea of the poetic task. From the perspective of self-affirmation writing, his work constitutes a prominent example of late-century epic writing and the aspiration, through its cultivation, to literary and social authority.
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