Analysis reveals the complexities of messianic consciousness and its implications in Russian literature, highlighting colonial complicity.
Taking the science fiction novel Knight of the Forty Islands as the object of study, this paper analyzes the projection of messianic consciousness and its inherent contradictions in the salvation actions of the protagonist, Dima, in the context of the three-dimensionality of the Russian messianic consciousness: religion, spirituality, and politics. Dima's actions of establishing a confederation and inheriting the revolutionary fire correspond to the political practice, spiritual salvation, and religious metaphor of messianic consciousness, while the alien testing ground and the setting of the rules of the game deconstruct the nature of power in the salvation narrative through the postmodern perspective, revealing its complicity with the colonial logic. While critically inheriting the tradition of messianic consciousness, the novel, with its open-ended ending of breaking but not building, provides a new path for understanding the reconstruction of national spiritual genes in contemporary Russian literature.
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Zixuan Zuo (2025) studied this question.
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