This article investigates image migration in the short film Arif at MUNCH, suggesting new dimensions in narrative art.
This article investigates the image migration processes of the short film Arif at MUNCH (2024), a work combining narrative and avant-garde elements to depict the self-exploration of one of Norway’s most accomplished rappers. While initially produced for an immersive exhibition at the art museum MUNCH, its festival re-release, as well as its conception, production and reception, are rooted in the migratory movements between several places. To analyse these movements, I draw on theoretical frameworks of image migration and The Black Atlantic .
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Nikita Mathias (2025) studied this question.
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