This article examines how the heaviness of metal music serves as a key aesthetic tool to evoke the sublime, a concept that captures encounters with overwhelming greatness or power, provoking awe, fear and admiration. Referencing the theories of Immanuel Kant, Jean-François Lyotard and Philip Shaw, the article demonstrates how metal’s intensity mirrors both the mathematically and dynamically sublime, creating an overwhelming auditory experience that challenges the listener’s cognitive limits. The article also explores the parallels between metal music and religious experience, arguing that metal’s use of the sublime reflects the emotions felt during the contemplation of divine power. By doing so, metal provides a secular form of religious awe, offering listeners an experience akin to confronting something vastly greater than themselves. Ultimately, the article highlights how metal’s engagement with the sublime transcends traditional boundaries between aesthetics, art and spiritual experience.
Marek Vodička (Mon,) studied this question.