AbstractThis article is a comparative study of the use of tragic pathos in the tragedies "Hamlet" and "Abulfayzkhan", the synthesis of this concept with conflict and drama, and its peculiarities. Paphos is the backbone of a work of art, in other words, the backbone, as a criterion that determines the genre and essence of any tragic work. The article analyzes pathos from this perspective.
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Shodiev Shahobiddin Sharofiddinovich (2021) studied this question.
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