Global Neo-Decadence, Postcolonialism, and the Hyper-Digital Hysterical Sublime of Late Capitalism

This article examines some postcolonial dimensions of a global literary movement in the twenty-first century called Neo-Decadence. It begins by highlighting the artistic and political preoccupations of the movement within the context of the century’s turn toward authoritarianism and late capitalism amidst an increasingly hyper-digital landscape. Then, it examines two short stories set in Iran and Peru in order to stress the emergence of what the article calls the Neo-Decadent “Real” (an anti-realism that bears witness to our century’s late capitalist and digital saturations); Fugitive Aestheticism (an aestheticism that, in emphasizing taste, touch, and smell, escapes permanent or totalizing capitalist capture); and Neo-Decadent Sexuality (queer circuits of desire that play with the consumptive impulses of late capitalism). In the process, it demonstrates how Neo-Decadence overlaps with, but also departs from, fin de siècle European decadence. It concludes by examining how Neo-Decadence might expand our on-going understanding of decadence more broadly, as well as the movement’s limitations with respect to its relationship to academia, the environment, and women.