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February 5, 2026Sensors0 citationsOpen Access

Semi-Automatic Artificial Lips Device for Brass Instruments with Real-Time Pitch Feedback Control

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HSHiroaki SonodaHKHikari KuriyamaKTKouki Tomiyoshi

Key Points

  • The aim is to develop a semi-automatic device that aids brass instrument performance without relying on human lip vibration.
  • Designed a semi-automatic artificial lips control device for brass instruments.
  • Integrated position control, wire traction for aperture control, and a pre-calibrated motor table.
  • Conducted evaluations using a euphonium to assess timbre, pitch range, and pitch stabilization.
  • Harmonic structures produced by the device were comparable to those created by human players.
  • Achieved reliable pitch stabilization and practical musical intervals through the use of three actuators.
  • Real-time acoustic feedback significantly improved pitch stability during performances.

Abstract

We propose a semi-automatic artificial lips control device that allows a human performer to produce sound on a brass instrument without the need to vibrate their own lips. The device integrates position control that presses artificial lips toward the mouthpiece and aperture control via wire traction, together with a pre-calibrated motor table and acoustic feedback for pitch stabilization. In evaluations using a euphonium, we verified timbre, pitch range, and pitch stabilization, including harmonic modes. The results showed that the harmonic structure of tones produced by a human using the device can be comparable to those produced by a human player in the conventional manner. Pitch-range and pitch-stabilization tests confirmed that the system can generate practical musical intervals and achieve reliable harmonic mode changes. Furthermore, real-time acoustic feedback improved pitch stability during performance. These findings demonstrate that, rather than fully automating human performance, the proposed system provides a compact and reproducible framework for controllable brass sound generation and pitch stabilization using only three actuators.

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Cite This Study

Sonoda et al. (2026) studied this question.

synapsesocial.com/papers/6984360af1d9ada3c1fb596chttps://doi.org/10.3390/s26030984
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