In his 1232 encyclical “ai maestri dello Studio bolognese,” Emperor Frederick II (1194–1250) described culture as the “condimentum” of power—both the adornment of power and its foundation. Indeed, the court Frederick held at Palermo during his 1220–1250 reign was lauded as a rarified space of intellectual exchange that fostered cultural production of all kinds, yet one contribution remains very little studied: his gastronomic work, the Liber de coquina . Understood to be the first example of a cookbook in the European tradition, the cookbook was conceived expressly to engender hegemony and reinforce a power structure through a conscious use of the unique communicative potential of enogastronomic touchstones. The cookbook genre, born thus with an imperial imprimatur, became a tool for political maneuvering that enjoyed an authority anchored in its inception at the multicultural medieval imperial court, but also the flexibility of a medium built around the familiarity and intimacy of what and how we eat. Like a shard of a speculum principis —but one that used the universally accessible, recognizable figures of food and wine—the cookbook in turn became a map for connecting a gastronomic gesture to a political agenda that could later be exploited, not only in other examples within the genre, but also beyond.
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Danielle Callegari (2026) studied this question.
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