This article uses archived records related to two major social issues drama series to examine efforts to produce episodes that acknowledged and discussed homosexuality during the early years of the “network system.” The Defenders (CBS, 1961–1965), the most acclaimed drama series of its era, proposed an episode about a homosexual defendant that was rejected by the network at the outline stage of pre-production in 1963. Sam Benedict (NBC, 1962–1963), a similar courtroom drama, aired an episode about homosexual defendants that same year without attracting network scrutiny. These two cases are explored as representative examples of dramatic television programming in a period characterized by a high degree of network oversight. Each series’ creative personnel encountered distinct challenges in their attempts to portray homosexuality on television, and their successes and failures offer significant insights into the forces that regulated prime-time content in this era.
Caryn Murphy (Fri,) studied this question.