Demonstrates the importance of community co-creation in documenting weaving traditions, highlighting cultural heritage.
In this paper, we explore Northern Ghanaian weaving traditions using Visual Participatory Storytelling (VPS) as a collaborative methodology to address critical gaps in knowledge production and craft documentation. We demonstrate this by showing how key weaving practices, traditions and histories – from material sourcing to finished textiles – and textile wearing codes function as living repositories embodying both human and non-human entanglements, cultural semiotics, spiritual beliefs, and community knowledge systems. Through co-creation with communities in the documentation process, we contribute to design anthropological and decolonial scholarship as well as participatory research by proposing a six-stage VPS framework that positions communities as primary knowledge holders.
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Yelyen et al. (2026) studied this question.
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